De gustibus non est disputandum... or so they say.Tbh I don't like Simone's voice per se or her musical style. As for the others you mention - don't like them either. I'm afraid I'm very narrow-minded where music is concerned. My loss, obviously.
recte sane!De gustibus non est disputandum... or so they say.
At least there is a melody.Just because you don't like the above mentioned singeresses doesn't mean you don't have a soul
ita, ut dicis!
It's a burden all music snobs must carry, I include myself in this too.I'm afraid I'm very narrow-minded where music is concerned. My loss, obviously.
Hardly anything can beat The Doors...maybe only more of The Doors
Agreed. We have a Lizard King here too and he's quite good at poetry as well.Hardly anything can beat The Doors...maybe only more of The Doors
Indeed. From 3.08 to 4.04 things get rather musically frantic. Never heard it before or much of Schubert for that matter other than his well-known serenade and maybe a couple more pieces.The passage starting at 2:30 has often been referred to as a musical "nervous breakdown". Actually the whole Sonata is one of the most astonishing pieces of music ever written - keys all over the place, foreshadowing Schumann and and even late 19th/early 20th century composers.
Have only listened to his String Q. 1-4 so far. Here's Schubert's complete sonata in A major played by Pollini. Unfortunately my favourite recording of this sonata by Paul Lewis is not on YouTube - but Pollini is superb.Indeed. From 3.08 to 4.04 things get rather musically frantic. Never heard it before or much of Schubert for that matter other than his well-known serenade and maybe a couple more pieces.
Have you heard Shostakovich's String Q. 8? I have mentioned it on here before but can't recall if it was you or someone else I spoke to about it.